Maj. Gen. C.C. Washburn’s Civil War field desk

Amy Vach

Catalog Number: 2017.fic.699

Copyright La Crosse County Historical Society

Copyright La Crosse County Historical Society

At first glance, this appears to be a simple wooden crate with writing on the side. As soon as it’s rotated onto its side and opened, however, it goes from being a simple crate to an easily transportable Civil War field desk used by a general.

Cadwallader Colden Washburn was born in Livermore, Maine, in 1818. During his early adulthood, he moved to the Midwest and moved between Illinois and Iowa, until finally settling in Mineral Point, Wis., in 1852. Washburn worked as a schoolmaster, surveyor, lawyer and U.S. congressman before settling in La Crosse in 1861.

In February 1861, Washburn served as a delegate to the Washington Peace Conference in a final attempt to prevent the Civil War. The conference served as a good-faith attempt to reunite the United States and resolve differences between the two sides through compromise. The South already had planned to secede from the Union and was preparing a new government, and ultimately a decision about slavery could not be made that would satisfy both sides.

A few months later, in April 1861, the Civil War started after a Confederate attack on Fort Sumter. Washburn accepted an appointment as colonel of the 2nd Cavalry and led it to Arkansas in spring 1862. He was promoted to brigadier general in June 1862, and was put in command of the entire 2nd Cavalry Brigade.

Less than a year later, in March 1863, Washburn was commissioned a major general with command over all the Union cavalry in West Tennessee.

After the war, Washburn left the military and returned to Congress from 1867 until 1870. In 1866 he co-founded the first flour mill in Minneapolis, the Washburn-Crosby Co. Today that flour mill is known as General Mills.

Washburn also served as the 11th governor of Wisconsin from 1872 to 1874. He died in Eureka Springs, Ark., in 1882, while recuperating from an illness. This former governor and Civil War general is buried in La Crosse’s Oak Grove Cemetery.

In 1885, more than three years after his death, the Washburn estate erected the obelisk beside his grave. The 55-ton monument is engraved on all four sides of its base with a description of Washburn’s accomplishments. He made significant contributions as a public servant to his home of La Crosse, to the state of Wisconsin and to the United States, through his military service, political career and generous philanthropy.

The black text on the front of the field desk reads “Maj. Genl. C.C. Washburn U.S. Vols.” and dates from after his promotion in 1863 to major general. It would have aided Washburn in organizing the paperwork required of a major general. This desk would have likely been used by the general for the writing of correspondence and reports.

Washburn’s obelisk commemorates his life story and ensures he will not be forgotten. This field desk does the exact same thing without weighing more than 100,000 pounds. It is a part of the story of Cadwallader Washburn’s life and La Crosse’s involvement in the Civil War.

This article was originally published in the La Crosse Tribune on July 22, 2017.

This object can be viewed in our online collections database by clicking here.

Frohsinn Singing Society badge

Carol Mullen

Catalog Number: 2017.fic.1066

This colorful badge once decorated the lapel of a member of Frohsinn, La Crosse’s German singing society.

The badge’s attached disk, with classical style lyre, highlighted a love of music, while the top of the badge and blue ribbon proudly stated, “Frohsinn, La Crosse, Wis., Gegrundt (Founded) 1885.”

The one-time local owner is unknown, as is the badge’s age. Similar be-ribboned badges were used by fraternal and union organizations in the late 19th and early 20th century. This one probably dates from about 1900.

The Frohsinn badge is reversible. Its front ribbon is blue, but there’s a second black ribbon on the back. The attached disk reads “In Memoriam (in memory of),” making it suitable for funerals.

The Frohsinn Society (froh Sinn means happy state of mind in German) began as a literary society and current affairs forum, but it soon evolved into a singing group that celebrated German heritage. Activities often centered around Germania Hall on Fifth Avenue, between Market and Ferry streets. The building housed athletic, dramatic, educational and cultural groups, and once was the focus for German culture in La Crosse.

Initially all Frohsinn members were men, though women joined in later years. The group participated in concerts and annual regional singing festivals throughout the Midwest. La Crosse hosted many such events, including the 1908 Saengerfest, with some 3,000 singers and 5,000 visitors. An auditorium was quickly constructed at Fourth and Jay Streets to accommodate the huge gathering.

During World War I (1914-1918), anti-German sentiment caused a temporary lapse in participation in Frohsinn, but the organization regained strength and continued after the war. American folk and patriotic songs joined traditional German songs in its repertoire.

As German immigrants in the area declined, so did Frohsinn. The last Saengerfest was held here in 1959. After that, the organization dwindled. Later, Oktoberfest came to be seen as the primary expression of German heritage in La Crosse.

The Frohsinn Singing Society badge represents a time when area Germans enjoyed expressing their heritage through choral singing. The group offered support and community to immigrants, reminding them of the country left behind and helping them adjust to their new life here.

This article was originally published in the La Crosse Tribune.

This object can be viewed in our online collections database by clicking here.

Copyright La Crosse County Historical Society

Copyright La Crosse County Historical Society

 
Copyright La Crosse County Historical Society

Copyright La Crosse County Historical Society

The Singer Featherweight

Peggy Derrick

Catalog Number: 1978.022.01

Copyright La Crosse County Historical Society

Copyright La Crosse County Historical Society

Sometimes a particular model of a tool or machine is so well-designed and well-made that it outlives its original owners to become a classic and a symbol of its kind. We often think of cars as “classics,” but there are other examples of industrial design that achieve this status.

Everyone who looks at the photo will know this is a sewing machine, but some will recognize it as a Singer Featherweight. The Featherweight went out of production about 1964, but it’s still used and valued today by home sewers and quilters.

This diminutive 11-pound sewing machine was first introduced at the 1933 Chicago World’s Fair, at the height of the Great Depression. The Featherweight was introduced as an affordable, portable sewing machine for the modern woman.

By that time the profession of dressmaker had been made obsolete by off-the-rack clothing and the growing popularity of home sewing, both of which were made possible by the 1851 patenting of the sewing machine. Sewing patterns and classes allowed any woman with a sewing machine to sew clothes for herself and her family, and furnishings for her home.

Today Featherweights are sought after on online auction sites, and there are experts in their use and care to help you keep your Featherweight running smoothly for decades to come.

For some users, the purring hum of a Featherweight is its most unique, beloved feature. For others, it is the perfect straight stitch that the machines still are known for. And weighing just 11 pounds makes this the ideal machine for taking to quilting retreats and workshops. Can’t you just picture a room full of contemporary women, all sewing on these quaint relics of early 20th century design? It happens.

The Featherweight does just one thing — a straight stitch, and it does it extremely well. By the 1960s, women were interested in machines that could do a variety of stitches, such as zig-zag and embroidery, and Singer stopped making the Featherweight. I suspect that its own high-quality, precision machining also helped to doom it, as it would have become increasingly expensive to produce at the same time that its lack of modern features put a limit on the price point at which it could be sold.

This Featherweight, in the collection of the La Crosse County Historical Society, was made in 1946. We determined its age by the serial number, as well as the style of face plate and foot control. After stopping production during World War II, there was a pent-up demand, and for a while there were waiting lists for new sewing machines.

Yet the demand for Featherweights continues to this day. It speaks to the quality of the design of these little machines, as well as to the human need to make things with our hands — even at a time when the availability of inexpensive manufactured goods has never been higher. The experience of handling materials ourselves is very satisfying, and seems innate to our human nature.

This article was originally published in the La Crosse Tribune on July 8, 2017.

This object can be viewed in our online collections database by clicking here.